This book review first appeared in the Irish Daily Mail in December 2012
In the late
Spring of 1967 Jammet's, the grand restaurant which had dominated Dublin dining
since the dawn of the twentieth century, served its last Sole Colbert, dished
up its final Avocado á la Russe and poured the last few drops of Montrachet. By
the end of the year it would become a self-service café and the city had become infinitely the poorer.
Jammet's was
not just a great Dublin institution and a benchmark for French haute cuisine and elegant eating in
Ireland, it was one of the world's great restaurants. There were few Hollywood
stars or international celebrities who had not graced its tables. The
well-heeled of the entire nation made it their destination of choice for eating
out; the merely well-off used to flock there for special occasions: engagements,
anniversaries, confirmations.
I was too
young, unfortunately. I was seven when Jammet's went the way of all flesh. And
it was not the kind of place that my somewhat frugal and not very well-heeled
parents would have frequented. But like many middle class Dublin children of
those times I was often told, when my table manners failed to reach the
required standard, "you'll never be let into Jammet's if you eat like
that."
By the time I
was ten, I did get to eat in what had been Jammet's. But by then, with relics
of ould dacency tumbling like ninepins, it had been turned into a Berni Inn. I
ate, with considerable relish, my first ever duck á l'orange (actually, my
first ever duck á la anything at all) in what had been the Oak Room of
Jammet's, though I realise that only now.
I have been
wallowing in nostalgia for a time and a place I never knew, thanks to the
recently published Jammet's of Dublin 1901 to 1967, by Alison Maxwell and the
late Shay Harpur (who had been a sommelier in the restaurant in the 1960s). It
is a feast of stories, of history and of memories of Dublin when it was
smaller, poorer and a great deal more fun than it is today.
Jammet's
occupied the substantial premises which now houses the Porterhouse Central pub
and Lillie's Bordello nightclub, running between Nassau Street and Adam Court,
the little laneway off Grafton Street.
In the good old
days, it comprised the main restaurant, the grill room, the oyster bar, the
cocktail bar and the back bar, plus two further areas known as the oak room and
the blue room. It was an extraordinary operation and was founded by Michel
Jammet in St Andrew Street, moving to Nassau Street in 1926.
Michel,
originally from southern France, had come to Ireland to work as personal chef
to one of the great Dublin distillers, Henry Roe, who lived at what is now
Mount Anville in Dundrum. Michel then moved to the Viceregal Lodge (now Áras an Úachtaráin) and at Dublin Castle under the viceroy Lord Cadogan who loved good
food and who entertained on a lavish scale. It is said that Cadogan could
detect the absence of Jammet's master touch on the few occasions when he was
indisposed and the cooking was delegated to lesser mortals.
On Cadogan's
retirement, he encouraged Jammet to set up a restaurant and used his
considerable influence amongst the local gentry and aristocracy in order to
give the French chef a good start in business.
The aristocracy
kept coming, right up to the end. The Hon. Garech Browne, the founder of
Claddagh Records and part of the extended Guinnesty, recalls being in the
oyster bar at Jammet's in the 1960s with the late Viscount Gormanston when the
artist Sean O'Sullivan slumped forward, dead drunk, into his Potage Saint
Germain. Nicky Gormanston rushed over and retrieved O'Sullivan's head,
thus saving the artist from drowning in the soup.
At Browne's
21st burthday party in the oak room, Lady Mollie Cusack-Smith blew her nose in
one of Jammet's fine linen napkins, which horrified fellow guest Brendan Behan.
"Isn't that a shocking thing to do?" commented Behan to one of the
waiters.
"Oh no,
sir," he responded. "That's the sign of true lady."
Myrtle Allen,
now the doyenne of Irish food and, of course, the founder of Ballymaloe House,
first ate at Jammets at the age of 20, with her new husband Ivan who "knew
his way around menus." She was very impressed with how the waiter boned
her sole at the table and served it with Bearnaise sauce. "They did things
properly at Jammet's," she recalls. And she would often spot ex-Jammet's
staff in other restaurants for many years after it had closed, for this very
reason.
Her first meal
in Jammet's, towards the end of World War II, came to 25 shillings a head which
was, as she says, "something of a shocker." That is roughly €3.
Prices had
risen, of course, by 1967. The wine list for that year shows Krug Champagne
vintage 1959 selling for 53 shillings and Blue Nun for just under 30 shillings.
It's curious to think that vintage Krug these days would cost you over €200
while Blue Nun, if you could find it on a restaurant list, would be a little
over €20.
Jammet's was
all about excellence and this was enshrined in the thorough training of all
members of staff (many of whose stories are related in this fascinating book).
Strange as it may seem today, floor staff had to spend three years as commis
waiters before they were elevated to the status of being a full waiter.
And Jammet's
waiters were legendary for their tact and professionalism, combining, as Myrtle
Allen recalls, a perfect blend of formality and friendliness. In a city and a
time when many customers would have been daunted by the atmosphere and
bamboozled by the menu (which was always entirely in French), they expended a
great deal of energy in making people feel at home in a distinctly Irish,
peculiarlly Dublin kind of way. The children of many customers now fondly
recall being called "Master" this and "Miss" that by the
staff, making them feel very grown-up indeed.
Jammet's food
was clearly very classic. Their ordinary sounding omelette surprise was, in fact, an elaborate form of baked alaska and their specality version
involved strawberry and vanilla ice cream and glacé chesnuts enveloped in
Kirsch-flavoured meringue. This was then baked and set alight at the table.
Another
Jammet's recipe starts with the immortal words "Take one raw boar's head.
Remove the ears to cook separately..."
Steak tartare
(raw minced fillet steak served with onion, capers and egg yolk) and dressed
crab, on the other hand, were as simple as they were, doubtless, delicious.
Jammet's
belonged to an age when great food was considered to be French by definition
but it was also an era of high standards, stringent training, impeccable
service and common courtesy. Jammet's was a restaurant that was vastly
important in the life of the great but shabby city that was Dublin and it is
good to be reminded that perfectionists such as the Jammet family ploughed
their lonely but successful furrow here well before the chattering classes of
Ireland ever gave a damn about Michelin stars.
In fact, I'd go
so far as to say that the fact that Jammet's survived 1916, the War of
Independence, World War II and the despondency of the 1950s says much, not just
about the people who worked there, but also about Dublin. Our capital has
always been more cosmopolitan, more sophisticated in the broadest sense, than
we sometimes give it credit for.
The story of
Jammet's, although forgotten by many, remains an emblem of that.
Jammet's of Dublin 1901 to 1967 by Alison Maxwell and
Shay Harpur is published by Lilliput Press. (ends)